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"[70] Many reviews criticized the film for being "unpatriotic, frivolous and incomprehensible. "[100] He believed this depiction was the reason behind the film's disastrous premiere, saying "the audience's reaction was due to my candour. Classical? [70] When asked about the film's poor reception with audience members, Renoir said "I thought I was gentle with them, and they thought I was laughing at them. Marceau  – a poacher – sneaks onto the estate to retrieve a rabbit caught in a snare. "[129] Critics have praised its farcical elements: Pauline Kael called it "a great satirical comedy, a dance of death"[130] and Gerald Mast wrote "[it] depicts the failure of love, the failure of society, and the failure of men to rise above the ridiculous. 1,541 people like this. He was replaced by Roland Toutain. [32] Renoir then asked Michel Simon to play Octave but Simon was busy with other projects. It had been a disaster at its premiere in 1939, just weeks before the outbreak of war. Ce film est arrivé à la première place de notre classement des 100 meilleurs films français de tous les temps - cliquez. [28] Claude Dauphin was offered the role of the Marquis de la Chesnaye; he refused it and instead acted with Simon in Raymond Bernard's Cavalcade d'amour. The Rules of the Game (original French title: La Règle du Jeu) is a 1939 French satirical comedy-drama film directed by Jean Renoir.The ensemble cast includes Nora Gregor, Paulette Dubost, Mila Parély, Marcel Dalio, Julien Carette, Roland Toutain, Gaston Modot, Pierre Magnier and Renoir. Their only success is that they try and they care. Le lanceur effectue donc ce premier lancer de deux dés (le « come out roll », ou « lancer de sortie »), qui détermine la suite du jeu : Trois possibilités : 1/ le lanceur « ne passe pas », il obtient (somme des dés) 2, 3 ou 12 : C’est un « craps ». Reviewed in France on January 16, 2016. Forgot account? Film Lab, which housed the original negative of The Rules of the Game, was destroyed. Le montage parfois nerveux et elliptique, l’utilisation virtuose de la profondeur de champ et de la profondeur sonore, les niveaux presque infinis de lecture, l’aspect choral de l’histoire, sont autant d’éléments novateurs qui font de 'La Règle du jeu' un film en avance sur son temps. [25] The characters' names constantly changed between versions of the script;[26] Renoir said that in an early draft, André Jurieux was an orchestra conductor rather than an aviator. "[71] In the 1943 edition of Histoire du cinéma, Robert Brasillach wrote that The Rules of the Game was among Renoir's most "jumbled" and "confused" films but applauded the biting satire, which he considered "Proustian." [114] In Le Figaro's 2008 list of the greatest films ever made it tied for second with The Night of the Hunter, behind Citizen Kane. Octave returns to the house for his coat and hat, where Lisette begs him not to leave with Christine. This version occasionally was screened at film clubs, cinematheques and film festivals, and its reputation slowly began to grow. Ici, maîtres et serviteurs se ressemblent comme deux gouttes d’eau et inversent parfois les rôles, à l’image du marquis protégeant son domestique Marceau lorsqu’il est poursuivi par le garde-chasse. [27] Gabin was offered the role of André but rejected it and accepted a role in Marcel Carné's Le Jour Se Lève instead. Renoir's career in France was at its pinnacle in 1939, and The Rules of the Game was eagerly anticipated; however, its premiere was met with scorn and disapproval by both critics and audiences. Nombre de joueurs : Pas de nombre précis mais un groupe. [13] When shooting in Sologne finally began progress was slow because of the constant improvisations of the actors – which Renoir encouraged – and Gregor's struggles with her role. It was shot between Munich and the war, and I shot it absolutely impressed, absolutely disturbed by the state of mind of a part of French society, a part of English society, a part of world society. [41][58] Renoir said he "depicted pleasant, sympathetic characters, but showed them in a society in the process of disintegration, so that they were defeated at the onset ... the audience recognized this. The hunt scene differs from the rest of the film; it uses rapid editing whereas most of the film uses long takes of dialogue or action. "[30] Gregor was an actress from the Viennese Burgtheater and had appeared in some films, including Carl Theodor Dreyer's Michael. The Rules of the Game is remembered as a commentary on the moral callousness of the European upper class and their servants just before the beginning of World War II. It finally premiered in New York City in April 1950, but it was critically unsuccessful. In October 1939, it was banned by the wartime French government for "having an undesirable influence over the young". Hors-jeu (out of play): avertissement lorsqu’une bloqueuse est à plus de 6 mètres du peloton, une pénalité sera donnée si la joueuse ne retourne pas vers le peloton (l’arbitre baissera les mains) ou si la joueuse bloque son adversaire ou aide une coéquipière en situation de hors-jeu. Une œuvre qui donne envie de la commenter et de l’imiter. He told a reporter that his next film would be "A precise description of the bourgeois of our age. In the closing moments of the film, Octave and Marceau walk away into the night as Robert brings Schumacher back into the household and explains that he would report the killing to the authorities as nothing more than an unfortunate accident. About See All. I kept living on baroque rhythms, and after a few more days, the subject became more and more precise." The music boxes used in the film were borrowed from several sources and some are now in a museum in Neuilly-sur-Seine. Except for the opening credits and the very end of the film, all of the music heard in the film is incidental. At a masked ball, various romantic liaisons are made. [62], Renoir edited the film while shooting;[40] his first cut was three hours long. "[37], The cast and crew arrived in Sologne between February 6 and 15. "[106] Renoir's son Alain said the film continues to be relevant and popular because it shows the artificial joy of the modern age in contrast to the rules of that (or any) age. Forgot account? Contemporary? The Rules of the Game was the only film produced by the company. "[97] This sense of doom began just before shooting started in January when Barcelona fell to Franco and throughout the production when Prime Minister of France Édouard Daladier recognized Francoist Spain, Italy annexed Albania and Adolf Hitler prepared his Polish invasion. It's a scene with me and Roland Toutain that deals with the maids' sexual interest. Original French. "[67] In his original outline for the film, Renoir said he intended all the characters to be sincere and that the film would have no villains. [40] Renoir later said he thought the film would be commercially successful. In both the play and the film the interceding friend is named Octave. Schumacher and Marceau, who have both been expelled from the estate by Robert after a fight over Lisette, watch Octave and Christine in the greenhouse. Résultat, Renoir fait des coupes franches dans le montage, en vain puisque 'La Règle du jeu' finit par être interdit lorsque la guerre éclate. [8] It is the only film to have been included on every top ten list since 1952. Product Description. Alain Resnais, François Truffaut, Claude Chabrol, Robert Altman et bien d’autres rendront un hommage appuyé à ce « drame gai », qui continue d’irriguer la sève de la cinéphilie mondiale depuis un demi-siècle. De même, hommes et femmes sont tour à tour bons ou mauvais, drôles ou tristes, émouvants ou détestables : de quoi décontenancer un public alors peu enclin à autant d’ambiguïté. La configuration varie légèrement en fonction du nombre de personnes qui jouent. [75] The Union Sacrée, a French clerical fascist group, organized demonstrations wherever the film was screened. "[101] The Marriage of Figaro, an inspiration for the film, had also been considered controversial for its attack on the class system. In this melancholy French social satire, André (Roland Toutain) is having an affair with Christine (Nora Gregor), whose husband, Robert (Marcel Dalio), himself is hiding a mistress. He later said "Little by little, my idea took shape and the subject got simpler. "[131] David Thomson praised Renoir's performance and remarked on "Renoir's admission that the director, supposedly the authoritative and manipulating figure, is as much victim as originator of circumstances. Is it a crime to change? Along with Gosford Park, these films include Jean Grémillon's Summer Light, Ingmar Bergman's Smiles of a Summer Night, Carlos Saura's The Hunt, Peter Fleischmann's Hunting Scenes from Bavaria, Nikita Mikhalkov's An Unfinished Piece for a Player Piano, Theo Angelopoulos's The Hunters and Denys Arcand's The Decline of the American Empire. For two years, Lisette has been married to Schumacher  – the gamekeeper at Robert's country estate, La Colinière in Sologne – but she is more devoted to Christine than to her husband. [17] When conceiving the film, Renoir was inspired by classical French art, such as the works of Pierre de Marivaux, Pierre-Augustin Caron de Beaumarchais and especially Alfred de Musset's Les Caprices de Marianne. Magasin de jeux de société pour petits et grands depuis 1989 [74], While the film received mostly unfavorable reviews, most critics praised the acting – including Renoir's, and only the far right-wing press criticized Marcel Dalio's performance. [55] Set designer Eugène Lourié left because he was Jewish and a communist, and Max Douy took over as the film's set designer. La règle de ce jeu de hasard est assez complexe et mieux vaut bien la connaître avant de commencer. [39] Paulette Dubost said shooting the film was great fun. See more of La règle du jeu on Facebook. Because Renoir wanted to allow the actors to improvise their dialogue, only one-third of the film was scripted and the rest was a detailed outline. Cease to be so bitter: The work of French cinephiles in the 1950s restored Jean Renoir’s work to glory. Find out why Close. Règles. 30 check-ins. [26] Gregor's first husband had been the concert pianist Mitja Nikisch, son of the renowned conductor Arthur Nikisch of the Leipzig Opera and according to film theorist Charles Drazin, a possible inspiration for some characteristics of Octave. Shortly afterwards, several of the film's electricians and technicians left to join the army. If Cupid was given wings, [38] Claude Chabrol, Alain Resnais and Louis Malle were all in attendance and publicly called Renoir their master while praising the reconstructed version of the film. 1,622 people follow this. [26] Renoir then cast Marcel Dalio as the Marquis. [106], Renoir said André was "the victim, who, trying to fit into a world in which he does not belong, fails to respect the rules of the game",[104] and that André thought he could shatter the rules by a world flight, while Christine thought she could do the same by following her heart. Cloîtrés dans le domaine de la Colinière en Sologne, ces aristocrates et ces grands bourgeois qui festoient gaiement semblent en effet tout ignorer des drames qui menacent la paix dans le monde. [76] Renoir was a known pacifist and supporter of the Communist Party, which made him unpopular in the tense weeks before World War II began. 5 out of 5 stars. "[22] Renoir, Carl Koch and Zwoboda went to Marlotte to work on the script. Closed Now. Numerous film critics and directors have praised it highly, citing it as an inspiration for their own work. On the way back to La Colinière's castle, Robert tells Geneviève that he no longer loves her. [40] He said "there is only one scene missing in this re-construction, a scene that isn't very important. He was replaced by Gaston Modot. NEF's headquarters on the Rue la Grange-Batelière was sublet from Marcel Pagnol's production company. [21], Renoir originally wanted the entire cast of La Bête Humaine – including Fernand Ledoux, Simone Simon, Jean Gabin and Julien Carette – for the film. En 1965, le film sort à Paris devant un public qui le porte enfin en triomphe. Règle du Jeu (2017-2018) Balloon Dash (2017) 1’20”, 4K video, stereo. Le but du jeu des dames chinoises. Le joueur qui y parvient le plus rapidement gagne la partie. [49] Jay pushed Renoir to finish filming in Sologne and move the production to sets erected at the Pathé studios in Joinville. [27], Francois suggested newly famous stage actress Michele Alfa for the role of Christine, and Renoir went with his wife Marguerite and Zwobada to see her perform in a play. [69], Claude Gauteur surveyed reviews of The Rules of the Game published in Paris and said 12 were "unqualifiedly unfavorable", 13 were "favorable with reservations", and 10 were "favorable. When the awards were announced 10 days later, Marcel Carne's Le Quai des brumes won the first prize and The Rules of the Game was not a runner-up. It has been hailed as a masterpiece by Kent Jones,[120] Adolf Heinzlmeier, Berndt Schulz[121] and Penelope Gilliatt, who said it was "not only a masterpiece of filmmaking, not only a great work of humanism in a perfect rococo frame, but also an act of historical testimony. [13] According to Douy they were based on the script and were not reproductions of the interior of Chateau de la Ferté-Saint-Aubin, where exterior scenes were shot. "[122] Its themes have been analyzed by film scholar and Renoir's biographer Leo Braudy, who observed that the film "embodies a social world in which there are rules but no values. "[105] Renoir's sentiment of objective humanism for the film's characters is articulated by Octave's remark and shows his empathy for the people he was simultaneously criticizing. André and Christine declare their love for each other and plan to run away together. [64] Its original budget had been 2.5 million francs (which already made it the most expensive French film of that year) and was increased by another 2 million francs, costing over 5 million francs total. "[134] It was a major source of inspiration for Alain Resnais, who said seeing the film was "the single most overwhelming experience I have ever had at the cinema";[89]and Louis Malle, who said "for all of us, my generation of French filmmakers, La Règle du jeu was the absolute masterpiece. Everything they believed in was collapsing. Film Lab site. See more of La règle du jeu on Facebook. Si un obstacle sort de l’aire de jeu, il ne revient pas en jeu avant la prochaine manche. I had the good fortune to have been taught to see through the trickery in my youth. Avant-Garde? [33] Many of Renoir's friends believed he fell in love with Gregor shortly after casting her. La Regle du Jeu / The Rules of the Game (Region 2. Toy Store in Vienne, France. My conception at the beginning – and at the end – was to make a film d'ensemble, a film representing a society, a group of persons, almost a whole class, and not a film of personal affairs. [44], To raise additional funding for the over-running production, Zwoboda had used the success of La Bête Humaine to sell advanced screening rights in large theatres to Jean Jay, the director of the Gaumont Film Company. "[53], Renoir used few close-ups or reverse shots and most of the shots are two shots. [119], Many contemporary film critics have written favorably about the film. Director: Jean Renoir. Sur le principe Tzolk'in . In many shots the camera moves, stops in place, changes direction and circles around the subjects. [10] Schrader said the film "has it all ... [it] represents all that film can be. On June 29, the film was screened for the Minister of National Education and Fine Arts Jean Zay and for the jury of the annual Louis Delluc Prize for the best French film. He also said he began imagining Simone Simon "moving to the spirit of the music." [40] Renoir originally wanted to release the film in June because the potential war would make a post-summer release impossible. Create New Account. The music was arranged by Joseph Kosma and Roger Désormière. [91] In 1961 Howard Thompson of the New York Times stated the film "completely justified its European reputation ... [it is] a memorable experience. Renoir himself had never killed an animal and called hunting "an abominable exercise in cruelty. Reviewed in France on January 16, 2016. or. Le joueur perd et tous ceux qui ont joué comme lui … Click here to see the full list. It had been a disaster at its premiere in 1939, just weeks before the outbreak of war. The work of French cinephiles in the 1950s restored Jean Renoir's work to glory. Community See All. Cet e-mail est déjà enregistré. [38][60] Renoir said of the attendance "I was utterly dumbfounded when it became apparent that the film, which I wanted to be a pleasant one, rubbed most people the wrong way. Christine has been married to Robert, Marquis de la Chesnaye for three years. "[117] Martin Scorsese included it on a list of "39 Essential Foreign Films for a Young Filmmaker. La Règle du jeu was the first and is still the finest of all the films that we see in a director's cut. Le jeu est constitué de plusieurs équipes. Sensitive hearts, faithful hearts, In the secluded greenhouse, Octave declares that he too loves Christine – who is now having doubts about André – and they decide to run away together. [19] Renoir initially intended to adapt the classic French play Les Caprices de Marianne; NEF first announced the film as an adaptation of it. Tony Corteggianni was hired as a technical advisor for the rabbit hunting sequence. [16], In May 1938, Renoir completed the historical drama La Marseillaise and wanted to make a comedy. Credits adapted from British Film Institute. Robert and André come to an argument over Christine. The Rules of the Game was one of the company's early restorations; Gaborit and Maréchal persuaded Camille François to sell them the rights to the film. Renoir reduced the film's running time from 113 minutes to 85, but even then the film was a critical and financial disaster. "[118] French film critic André Bazin praised the film's mobile photographic style; he said its depth of field and deep focus mise-en-scène resembled that seen in Citizen Kane and The Best Years of Our Lives. Aviator André Jurieux lands at Le Bourget Airfield outside Paris after crossing the Atlantic in his plane. During the film's production, he ended his relationship with his common-law wife Marguerite and began another with script girl Dido Freire, whom he had known for 12 years and was Alain Renoir's nanny. "[93] The reconstructed version of the film was exhibited in France on April 23, 1965. La règle du jeu – Ce2. [39] Heavy rainfall prevented the start of shooting in Sologne for several weeks and Renoir rewrote parts of the script to accommodate the rain. La règle du jeu, Tours, France. 30 check-ins. or. [20] Renoir later said he never intended to directly adapt Les Caprices de Marianne but only to re-read it and other classics of French literature for inspiration. [98] Renoir articulated this unmentioned theme of the film by saying: what is interesting about this film, perhaps, is the moment when it was made. La règle du jeu. [51], On March 16, 1939, Germany invaded Czechoslovakia, breaking the Munich Agreement,[54] which caused the French Army to start mobilizing in anticipation of a coming war. [61] Eventually Dido married Renoir. Même les plus immoraux d’entre eux, comme le braconnier Marceau (l’incroyable Julien Carette) ou le marquis de La Chesnay, peuvent être sauvés. 5. [45], Filming Émile Zola's La Bête Humaine inspired Renoir to "make a break, and perhaps get away from naturalism completely, to try to touch on a more classical, more poetic genre. The opening scene at the airfield was shot in mid-June at the Bourget Airport in the middle of the night with whatever extras they could find. Simon was offered the role of Christine but wanted 800,000 francs, which was a third of the film's entire budget. Since then, The Rules of the Game has been called one of the greatest films in the history of cinema. People who commit suicide do not care to do it in front of witnesses. Descriptif du jeu Pitch Out Depuis des temps immémoriaux, les 4 grands peuples des Basses-Terres s'affrontaient afin de s'emparer des Monts Eternels. With François' help, they discovered records that led to 224 boxes that had been found at the bombed G.M. About See All. [13] Hundreds of animals were killed during filming and local people were used as stand-ins for the actors. [1], For many years, the 85-minute version was the only one available, but despite this its reputation slowly grew. [126] Other critics have written about the film's darker themes; Andrew Sarris praised its depiction of class differences. Nombre de joueur: 2 à 10. Flash 8 - la Regle du jeu - Scorpion Masqué - Asmodee #268 ... Maitriser la règle du hors jeu - Duration: 3:21. 1,549 people like this. He was married to Simon at the time; he declined when her salary request was denied and instead took a role in Maurice Tourneur's Volpone. "[34], Renoir finished casting the remaining roles by late January 1939. [41], The delays caused Pierre Renoir to pull out of the film because of prior commitments to stage plays in Paris. "[103], The rabbit hunt scene often is compared to the senseless death that occurs during war; Renoir said he wanted to show a certain class of people killing for no reason. And Renoir/Octave serves as the standard against which reality and fiction can be measured. Ledoux was offered the role of Schumacher. "[67] He later defended his own performance as being awkward – the way Octave should have been. Create New Account. [83] He also said its failure "so depressed me that I resolved to either give up the cinema or to leave France. [33] Renoir finally cast himself, later saying that he "was just waiting for the moment when Pierre would say 'Why don't you play the role yourself, Jean?' "[123] Dudley Andrew described the film's "complex social criticism"[124] while Kenneth Browser[125] and Peter Cowie wrote about its sense of humanity. Il est aisé, trop facile sans doute, de faire le rapprochement entre cette microsociété repliée sur elle-même, insouciante et hypocrite, et une Europe prête à s’enfoncer dans le chaos sans s’en rendre compte. [68] It later was shown at the Aubert-Palace in Paris. Ajouter votre commentaire. [79] At one point, Jean Jay told Renoir to restore the film to the 100-minute version "to avoid commercial disaster", but none of the shorter versions improved its reception or attendance figures. Zwoboda said Gregor had "that which Renoir loved above all; an incontestable class, a style, the gestures and bearing of a great distinction." A bourgeois life in France at the onset of World War II, as the rich and their poor servants meet up at a French chateau. Sur le thème Dead of Winter. Renoir said he and his cinematographer Jean Bachelet "ordered some special lenses, very fast lenses, but ones that still gave us considerable depth, so that we could keep our backgrounds in focus almost all the time. Ce film est arrivé à la première place de notre classement des 100 meilleurs films français de tous les temps - cliquez ici pour voir la liste complète. "[42] He added that after having gained experience and confidence as a director his "most stubborn dream has been to be an actor. [52] Film historian Joel Finler said the film "truly evolved " during its making, as Renoir worked on writing and rewriting the script, balancing and rebalancing the characters and relationships, plots and subplots. Christine also invites her niece, Jackie. [65], The film had an elaborate advertising campaign that began one week before its release in anticipation of it becoming another hit film for Renoir. L’une des répliques fameuses du film, « tout le monde a ses raisons », résume à elle seule l’état d’esprit du réalisateur, qui ne trouvera hélas pas beaucoup d’écho auprès de la critique et des spectateurs. "[136] Other notable filmmakers who have praised it include Bernardo Bertolucci,[41] Wim Wenders,[132] Peter Bogdanovich,[41] Noah Baumbach[120] and Cameron Crowe. "[84] During shooting, Renoir was offered the chance to film an adaptation of Tosca by Italian producers; he agreed to the deal on July 14, 1939, and saw it as an opportunity to leave France. 3:21. The sound engineer was Joseph de Bretagne. En fin de compte, nous les aimons, ces personnages. La Règle du jeu (1939) Film, Comedy. From Seven Forest Events. [33][40] While he finished the script the entire company played cards and bonded; they described it as a happy time in their lives just before the horrors of World War II began. He had had three consecutive hit films and La Grande Illusion had won awards from the New York Film Critics,[11] the National Board of Review and the Venice Film Festival. En entrant votre adresse mail, vous acceptez nos conditions d'utilisation et notre politique de confidentialité et de recevoir les emails de Time Out à propos de l'actualité, évents, offres et promotionnelles de nos partenaires. "[96], The film's most-quoted line of dialogue, spoken by Octave, is "You see, in this world, there is one awful thing, and that is that everyone has his reasons. Empire magazine ranked at number 13 in its list of "The 100 Best Films Of World Cinema" in 2010. They joke that André and Geneviève will begin a relationship, thereby solving everyone's problems. Log In. He learned that Gregor was the wife of Prince Ernst Rudiger von Stahremberg, an Austrian nobleman. Renoir's biographer Ronald Bergan said the film hit a raw nerve with the public by depicting "people, who might have had an influence in shaping the world, [but] did nothing to prevent an advance of Fascism; some of whom, indeed, actually welcomed it. "[53] Amy Taubin said "I can think of no other film that is as unfailingly generous – to its audience, its characters, its actors, the milieu and the medium. Not Renoir, but Not Bad", Louis Lumière / conversation avec Langlois et Renoir, Intolerance: Love's Struggle Throughout the Ages, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, https://en.wikipedia.org/w/index.php?title=The_Rules_of_the_Game&oldid=1015950025, All Wikipedia articles written in American English, Creative Commons Attribution-ShareAlike License, Anne Mayen as Jackie, a niece of Christine, Richard Francœur as Monsieur La Bruyère, a guest at Robert's estate, Claire Gérard as Madame de la Bruyère, a guest at Robert's estate, Lise Elina as the radio reporter at the airport, Eddy Debray as Corneille, Robert's butler, Tony Corteggiani as Monsieur Berthelin, a guest, Nicolas Amato as Cava, a guest from South America, Camille François as a radio reporter (voice), This page was last edited on 4 April 2021, at 14:53.

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