But the response was all in good fun. Michael Brook's melancholic score compliments these visuals while serving to establish the movie's deliberately slow, yet never laggy, sense of pacing. As the details mount in the flashbacks, the rhythms of present-day Pin-Jui's life are illuminated as having a specific source. Ma's up to the challenge each time, but each reiteration reminds us that the filmmaker has given us too little to look at. Protecting your people, operations, assets, and reputation is paramount in a crisis or emergency. "Tigertail" floats back and forth between the present and the past, an effective device that creates comparisons, often painful, between Pin-Jui's hopes as a young man and the disappointments and hardships of the years following. Cast: Tzi Ma, Hong-chi Lee, Christine Ko, Casting directors: Ally Conover, Sarah Domeier Lindo. {"nid":"1286292","type":"post","title":null,"relative_path":"\/news\/we-cant-be-silent-asian-americans-hollywood-denounce-chinese-virus-racist-incidents-1286292","media":{"width":1296,"height":730,"extension":"jpg","mime_type":"image\/jpeg","type":"image","path":"https:\/\/static.hollywoodreporter.com\/sites\/default\/files\/2020\/03\/tzi_ma_ciela_au_and_eugene_lee_yang-getty-h_2020-compressed.jpg","sizes":[{"path":"https:\/\/static.hollywoodreporter.com\/sites\/default\/files\/2020\/03\/tzi_ma_ciela_au_and_eugene_lee_yang-getty-h_2020-compressed.jpg","width":1296,"height":730},{"path":"https:\/\/static.hollywoodreporter.com\/sites\/default\/files\/2020\/03\/tzi_ma_ciela_au_and_eugene_lee_yang-getty-h_2020-compressed.jpg","width":1296,"height":730}],"orientation":"landscape","id":"3972921","caption":null,"credit":null}}. There's a reason he's stoic, there's a reason he's so goals-driven he yells at the child Angela for messing up during her piano recital. NEXT: Netflix: Every Movie & TV Show Releasing in April 2020. N'ayant pas d'avenir, il quitte son pays natal - et la femme qu'il aime - pour les Etats-Unis. Yang relies, over and over, on Ma's thousand-yard stare to conjure regret and sorrow. Plaschke: At long last, the franchise of Magic, Kobe and now LeBron returns to the NBA Finals. “Maybe it’s easier if we just stopped trying,” she tells him. Tigertail Beach: More to see - See 2,147 traveler reviews, 1,050 candid photos, and great deals for Marco Island, FL, at Tripadvisor. Its premise, of a lonely older man (Ma) who became stoic to survive and now has trouble connecting with others, but particularly with his grown child, is both deeply Asian American and resoundingly universal. S'inscrivant sur les traces de Lulu Wang et de son très beau L'adieu (The Farewell), il est vrai accouché bien plus dans la douleur avec une quête de financement bien plus complexe et longue - pour être poli -, Alan Yang, passé la réalisation d'une poignée d'épisodes dans quelques-unes des meilleurs séries humoristiques US de ses dernières années (Parks and Recreations, Master of None dont il est le co-créateur avec Aziz Ansari, The Good Place et Forever), saute dans le grand bain du septième art avec un premier long personnel et s'appuyant sur ses propres racines taïwanaise, et sur ce même sentiment de déracinement en terre inconnue. Like a trip down memory lane, it might even lead you to re-examine your own understanding of the past, how you got here, and where you're headed next. Anchored by Yang's sensitive direction and a Tzi Ma performance teeming with life, Tigertail is romantic, thoughtful, and heartbreaking all at once. Après un mariage arrangé, une relation compliquée avec sa fille et des années d'un travail monotone, arrivé à l'âge de la retraite, Pin-Jui risque de passer la fin de sa vie dans une solitude extrême. Afterwards, the little boy cries about he misses his mother and his grandmother scolds him: "Be strong. Never let anyone see you cry.”, But when we see Pin-Jui as a carefree young man (a charming Hong-Chi Lee), he’s far from a tortured soul. Sandy Schaefer is Screen Rant's Movie Reviews Editor and an Associate News Editor. (Another surprise: Joan Chen’s in this movie, appearing memorably toward the end.) Une fois à New-York, et engoncé dans un mariage sans amour qu'ils tenteront de faire tenir tant bien que mal, le couple sera confronté à l'isolement et la barrière de la langue - surtout Zhenzhen, timide et effacée mais forte -, autant qu'à la propension qu'aura Pin-Jui de travailler très dur pour subvenir aux besoins des siens, quitte à émotionnellement et intimement s'en détacher. A one-stop shop for all things video games. Crazy Rich Asians may have been named after (a tiny minority of) Asians in Asia, but it likely became so widely embraced by Asian Americans because it acknowledged us as a group distinct from our ethnic counterparts on the other side of the Pacific. Sounds like a fascinating journey. Campos made Netflix’s ‘The Devil All the Time,’ while Durkin has IFC’s ‘The Nest.’, Vin Diesel is the unexpected pop singer 2020 didn’t know it needed. It is right to honor such men and women. The deeply powerful and personal film is based loosely on his experiences as the child of immigrants, as well as what his father went through, coming to the Bronx from Taiwan to find opportunities. “Oliver Sacks: His Own Life,” Ric Burns’ majestic documentary, profiles the unconventional physician with a talent for writing bestselling books. (This is one of the film's many insightful points). (An early scene in which the couple playfully sway to a 1960s Taiwanese pop ballad is a particular highlight, with its own spin on Wong Kar-wai films.). The two films also happen to be stories based on each filmmaker's family and feature longtime character actor Tzi Ma in prominent paternal roles. Tigertail is most compelling in the scenes between Fang and the smolderingly charismatic Lee, as Yuan and Pin-Jui fall in love with American pop culture and each other. | Cookie Settings. Review: Awakening to the joy of ‘Oliver Sacks: His Own Life,’ a documentary for odd ducks. Production designer: Amy Williams Review: ‘The Last Shift’ takes aim at white privilege in the working class, but it fails to ignite. The two are totally estranged. This journey helps him understand what is happening in the present moment. The desire to support his mother is too strong. It also provides a timely-as-ever reminder about the stories of immigrants; no two are exactly the same and those of people who travel afar to build a more comfortable life for themselves deserve to be told just as much as the ones about those who want to change the world. But when given the opportunity to travel to the U.S. in an arranged marriage with Zhenzhen (Kunjue Li), a person he barely knows, Pin-Jui takes it, leaving his old life and Yuan behind. EMAIL ME. But remember his grandmother's admonition. It's not just Yang's résumé — as the Emmy-winning co-creator of Master of None and Forever — that makes Tigertail such a disappointment, but the many promising elements within the somber but yearning drama itself. In an interview with Vanity Fair, Alan Yang, well-known to audiences from his work as a writer/producer/actor on such hit series as "Parks and Recreation" and "Master of None," spoke about "Tigertail," his narrative feature debut as director and writer. Director Jon M. Chu certainly made a winsome romantic comedy, but the film's most powerful moment undoubtedly belonged to the mahjong-parlor scene, in which the protagonist's (Constance Wu) would-be mother-in-law (Michelle Yeoh) finally saw value in the younger woman's Asian Americanness. Pin-Jui cannot allow himself to grieve what he lost when he left Taiwan. Bill Murray’s golf brand has a choice reply for Doobie Brothers’ hilarious complaint. Or, to be more specific, the absence of a relationship. The go-to source for comic book and superhero movie fans. In many ways, Alan Yang's film directing debut, Tigertail, resembles a feature-length version of the Master of None episode "Parents", only firmly told from the perspectives of the immigrant parents at its core. It IS TRUE – Osmariel Villalobos confirmed that she divorced Juan... April 3, 2020. An examination of The Times’ failures on race, our apology and a path forward. “Tigertail” builds to a kind of understanding between her and Pin-Jui, but the movie has been centered so much on his tragic romantic history that it feels unresolved at the end. Tigerschwanz schwimmt hin und her zwischen der Gegenwart und der Vergangenheit, ein wirksames Gerät, das schafft Vergleiche, oft schmerzhaft, zwischen Pin-Jiu seine Hoffnungen als junger Mann und die Enttäuschungen und Härten in den folgenden Jahren. Sie können die voll Filmrezension lesen, wo sie ursprünglich online veröffentlicht wurde. It's the first of countless such loose ends. Forgoing the comedy of that acclaimed Netflix series (which he co-created with star Aziz Ansari), Yang delves further into the breadth of the Asian-American experience here, crafting a story that feels deeply personal yet full of universal themes about parents and children struggling to understand one another, in spite of being painfully similar in many ways. But Pin-Jui doesn't let himself take his relationship with Yuan seriously — he's got places to go, and, soon enough, another woman to marry. Autobiographique et réaliste jusque dans son verbe (avec des dialogues autant en taïwanais et en mandarin qu'en anglais), le film suit l'histoire de Pin-Jui, un homme taïwanais qui avec le temps, n'est devenu que l'ombre de lui-même, tant est si bien qu'il est même émotionnellement, de plus en plus distant avec sa fille Angela, dont la relation est devenue presque anecdotique. Miranda July on Kajillionaire, Instagram Filmmaking, Creativity and More, Realizing You're Just a Fantasy in I'm Thinking Of Ending Things, On Playing Sports Games in a World without Sports, Bubba Wallace Makes NASCAR History By Toppling Confederate Symbols, Joining Michael Jordan’s First Black Majority-Owned Racecar Team. Ma's up to the challenge each time, but each reiteration reminds us that the filmmaker has given us too little to look at. Embrace the darkness: Antonio Campos and Sean Durkin on movies Hollywood doesn’t want to make, Former collaborators Antonio Campos and Sean Durkin each have new movies. Like The Farewell, Tigertail certainly feels like a passion project. Sounds like a fascinating journey. Oscar winner Joaquin Phoenix and fiancée Rooney Mara reportedly welcomed their first child — a baby boy named after the actor’s late brother, River Phoenix. But he’s also a good dancer, picking up his technique from watching American movies, and he’s enjoying romancing the beautiful Yuan (Yo-Hsing Fang) with his impetuousness and impeccable appreciation for music. Mentions Légales | FACEBOOK Editor: Daniel Haworth And since “Tigertail” is streaming on Netflix, you don’t have to be sheltering in the same home to partake. Tigertail is most compelling in the scenes between Fang and the smolderingly charismatic Lee, as Yuan and Pin-Jui fall in love with American pop culture and each other. Semaine du 27 septembre au 3 octobre 2020. At the same time, Yang's script carves out room to give the women in the movie rich inner lives and problems of their own, especially Kunjue Li as Zhenzhen and Ko as the grown-up Angela (with Fiona Fu doing equally excellent work in her brief appearances as the older Zhenzhen). But Tigertail is also a lot of things The Farewell isn't: drowsy, shambolic, underthought. truly flatlines when it comes to the father-daughter relationship between Pin-Jui and Angela. (An early scene in which the couple playfully sway to a 1960s Taiwanese pop ballad is a particular highlight, with its own spin on Wong Kar-wai films.) may have been named after (a tiny minority of) Asians in Asia, but it likely became so widely embraced by Asian Americans because it acknowledged us as a group distinct from our ethnic counterparts on the other side of the Pacific. Acteurs : Lee Hong-Chi, Tzi Ma, Kunjue Li, Christine Ko,... L'histoire d'une famille taïwanaise, depuis les années 1950 jusqu'à nos jours à travers le parcours de Pin-Jui. (So underwritten is she that we're told repeatedly she spends too much time at work, but she's never given an actual profession. (Ma also plays the titular heroine's father in the live-action, It's not just Yang's résumé — as the Emmy-winning co-creator of, In his distractingly austere home — a character detail that feels more like a reflection of the production budget, as well as of the general neglect of visual interest — the divorced Pin-Jui struggles to reconnect with his adult daughter, Angela (Christine Ko, conspicuously flat), while recalling the love of his life, Yuan (played by Yo-Hsing Fang as a young woman and by Joan Chen as an older one), whom he left behind to pursue his dream of going to America, is most compelling in the scenes between Fang and the smolderingly charismatic Lee, as Yuan and Pin-Jui, fall in love with American pop culture and each other. Glenn Whipp covers film and television for the Los Angeles Times and serves as columnist for The Envelope, The Times’ awards season publication. Last year's, The two films also happen to be stories based on each filmmaker's family and feature longtime character actor Tzi Ma in prominent paternal roles. co-creating the vibrant Netflix comedy series “Master of None”, Editorial: An examination of The Times’ failures on race, our apology and a path forward, LeBron James surges late to lead Lakers past Nuggets and into the NBA Finals, Anthony Davis shows his value at critical moments of Lakers’ Game 5 win, Can technology predict wildfires? All the latest gaming news, game reviews and trailers. Far from idealizing him or any of its characters, Tigertail portrays its protagonist as being more than a victim of circumstance, yet always remains empathetic towards him and his reasoning for his decisions. Rated PG Tzi Ma and Christine Ko in “Tigertail,” a drama from Alan Yang, now streaming on Netflix. Narrated by Yang's own father, Tigertail takes place mostly within the reminiscences of Pin-Jui (played by Ma in middle age, Hong-Chi Lee as a young man and Zhi-Hao Yang as a child). "Tigertail"'s first scene unfurls Terrence-Malick-style: a little boy runs through green-golden fields of rice, thinking he sees his mother in the distance. Yes, he’s impoverished, working in a sugar factory and living with his mother (Kuei-Mei Yang). Director Jon M. Chu certainly made a winsome romantic comedy, but the film's most powerful moment undoubtedly belonged to the mahjong-parlor scene, in which the protagonist's (Constance Wu) would-be mother-in-law (Michelle Yeoh) finally saw value in the younger woman's Asian Americanness. The heart of Yang’s film — his feature debut after co-creating the vibrant Netflix comedy series “Master of None” and Amazon’s underrated marriage story show “Forever” — is the relationship between the adult Pin-Jui (played by the great Tzi Ma) and his grown daughter, Angela (Christine Ko). Pin-Jui hopes to make enough money in America so his mother (a winsome Kuei-Mei Yang) can retire, but it's not entirely clear why else he wishes for such a drastic life change. Thanks to Netflix, it's the type of film that now has a platform to reach a much larger audience than it would've just a few years ago, and deservingly so. Tigertail hat im Allgemeinen positive Bewertungen erhalten. New systems attempt to better forecast their spread, Barrett could further shift the high court to the right. FAQ | At home, his harried grandmother hides him in a cupboard when soldiers show up at her door unannounced. Read her answers to our Movie Love Questionnaire here. Chris Hemsworth, Miles Teller et Jurnee Smollett en vedette de Spiderhead signé Joseph Kosinski ? “Tigertail” examines those unspoken family stories and, specifically, serves as a nuanced look at the Taiwanese immigrant experience — the sacrifices, the loneliness and the sheer exhaustion that can break people and leave them unrecognizable. There is a little awkwardness early on, as the back-and-forth structure is established, but considering the film overall, such a criticism sounds like a nitpick. She needs something more now, she needs comfort, not judgment. Sitemap | The documentary “Kiss the Ground,” narrated by Woody Harrelson, makes the case that by regenerating the Earth’s soils, we can balance the climate and save the world. She has no idea why her parents divorced. How all this plays out, with the love and care Yang has put into every detail, makes "Tigertail" sneakily powerful. Mélodrame sensible et pudique d'une beauté déchirante, explorant avec ferveur le revers de la médaille de l'American Dream, illusion d'un eldorado devenu une prison à ciel ouvert à la fausse promesse frustrante; Récit initiatique tardif croqué avec un sérieux collégial et dont la résonance actuelle est absolument terrible (emprisonner ses sentiments et son rapport aux autres, alors que nous sommes tous engoncés dans un confinement obligatoire pour notre bien), faisant la part belle à tous ses personnages (même féminins, essentiels dans cette histoire pourtant très masculine, et surtout vrais véhicules d'une vérité souvent tu), et dirigé d'une main de fer par un wannabe cinéaste aussi habile caméra au poing que dans sa direction d'acteur (il offre à la légende Tzi Ma, l'un de ses plus beaux rôles, en homme endurci mais fragilisé par des années de non-dits); le film n'a pour seul défaut de n'être que trop court - quatre-vingt-dix minutes tout rond -, même s'il dit tout dans le peu de temps qui lui est imparti. Inside the epic battle to save Mt. Amid incendiary published revelations about Trump finances, Democrats determined to exact a political price if Trump’s Supreme Court nominee is confirmed. Don't ever let anyone see you cry.". 0. The two work in a factory together. Review: ’Scuse me while I ‘Kiss the Ground’: How soil might be Earth’s climate change savior. There's a beautiful scene when the two young lovers sit by the river at night, post-coitus, relaxed and friendly, singing Otis Redding's "Sitting on the Dock of the Bay" together. The thing that made him a survivor as a child isolates him later. In the interview, Yang said: “My dad grew up impoverished and was living in one room in the rice fields, and had a single mom who had three boys and worked in a sugar factory. Christine Ko and Tzi Ma in Tigertail. And sure, he wears his influences on his sleeves, but also does what all great storytellers do and creates his own style from that foundation. (Who could resist Yao Su Rong?). Beginning in 1950s Taiwan, the movie follows Pin-Jui/Grover (played by Hong-Chi Lee as a young man), a poor yet buoyant factory worker who dreams of making a better life for himself and his loved ones, including Yuan (Yo-Hsing Fang), the wealthier, free-spirited woman he's cared for since they were children. "Tigertail"'s first scene unfurls Terrence-Malick-style: a little boy runs through green-golden fields of rice, thinking he sees his mother in the distance. Both Hong-Chi Lee and Tzi Ma breathe further life into him, skillfully capturing the essence of a younger man not yet beaten down by life's disappointments and an older one who yearns to rekindle his passion for existing. He can't give it. Zhenzhen transforms from a painfully shy meekling to a confident and outspoken older woman who finally casts off the gilded cage of her marriage. Andrew Cohn’s “The Last Shift,” starring Richard Jenkins and Shane Paul McGhie, is a wan comedy-drama that takes aim at white privilege. The work is hard. And so spartan is the set design that, even with a numbingly repetitive number of scenes with her and her father doing the dishes in their respective homes, she's not allowed a dish rack.) If the film doesn't achieve the same level of poetry of In the Mood for Love with its rhythmic montages juxtaposing Pin-Jui and Angela's shared solitude - or navigate through time as deftly as the non-linear 2046 - it's a testament to what Yang does accomplish that Tigertail invites those comparisons at all.
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